studies 1998–2008
初期の作品まとめ
Study
1998–2000
初めて作品と思えた写真。
My very first work of photography.
Where are you Debbie?
2003
初めて人から「私の裸を撮って欲しい」と頼まれて撮ったもの。たくさん話をしてから、慣れないスタジオで撮影をしました。印象的な作品。
The first photos I took when someone asked me to take a nude picture of them. After a lot of talking, we shot in a place unfamiliar to me: a photo studio. I remember it well.
filtered
2003
この頃から、見えるものと見えないもの、写るものと写らないもの、などについて考え始めたように思う。
From around this time, I was thinking about what is visible and what is invisible, what can be captured and what cannot be captured.
What I’ve lost, what I’ll lose
2001
暗室でのハプニングから構想を得た作品。自分では全く制御不可能な現象に心踊った。もう戻れない時間を懐かしがって作った作品。
A work inspired by a chance happening in a darkroom. I was thrilled by a phenomenon that I had no control over. A work that I made with nostalgia for a time to which I could no longer return.
Paint in the dark
2002
深夜。遠くに見える灯りを使って絵を描くつもりで、暗がりでカメラを動かしていた。フィルムで撮影するので、これらの画像が現像後にどんなふうに出てくるのか楽しみだった。
Late at night. I was moving the camera in the dark with the intention of drawing a picture using a light that I could see in the distance. Since I shoot on film, I was excited to see what these images would look like after I developed them.
PORTRAITS
2004
友人を撮った隣り合う二枚のネガのうち、一枚はそのまま、もう一枚は反転させて、一枚の印画紙に並べて焼いた作品。
A work in which I showed my photographs adjacent to those taken by a friend, one positive and one negative, both printed side by side on a sheet of photographic paper.
In his dream
2008
寝ている間の自分だけに見られる狂気や不条理、それらのイメージの再現をしてみたくて取り組んでいたカラー作品。
A body of color work that attempts to reproduce images of madness and absurdity that can only be seen by me while I’m asleep.