studies 1998–2008

初期の作品まとめ

Summary of early works

study

1998 - 2000

初めて作品と呼んだ写真。

My very first work of photography.


Where are you Debbie?

2003

初めて他人から裸を撮って欲しいと頼まれて撮ったもの。たくさん話をしてから、慣れないスタジオで撮影をしました。印象的な作品。

The first photos I took when someone asked me to take a nude picture of them. After a lot of talking, we shot in a place unfamiliar to me: a photo studio. I remember it well.


filtered

2003

この頃から、見えるものと見えないもの、写るものと写らないもの、などについて考えていたように思います。暗室作業が楽しかった。

From around this time, I was thinking about what is visible and what is invisible, what can be captured and what cannot be captured. The darkroom work was fun.


What I’ve lost, what I’ll lose

2001

暗室でのハプニングから構想を得た作品。自分では全く制御不可能な現象に心踊った。もう戻れない時間を懐かしがって作った作品。

A work inspired by a chance happening in a darkroom. I was thrilled by a phenomenon that I had no control over. A work that I made with nostalgia for a time to which I could no longer return.


Paint in the dark

2002

深夜。遠くに見える灯りを使って絵を描くつもりで、暗がりでカメラを動かしていました。フィルムで撮影するので、これらの画像が現像後にどんな風に出てくるのか楽しみでした。

Late at night. I was moving the camera in the dark with the intention of drawing a picture using a light that I could see in the distance. Since I shoot on film, I was excited to see what these images would look like after I developed them.


PORTRAITS

2004

友人を撮った隣り合うネガから、ひとつはそのまま、もうひとつは反転させて、一枚の印画紙に並べて焼いた作品。人の顔に興味がありました。

A work in which I showed my photographs adjacent to those taken by a friend, one positive and one negative, both printed side by side on a sheet of photographic paper. I was thinking about what I was looking at on people’s faces.


In his dream

2008

寝ている間の自分にだけみられる狂気や不条理、それらのイメージの再現を試みようと取り組んでいたカラー作品。

A body of color work that attempts to reproduce images of madness and absurdity that can only be seen by me while I’m asleep.